So, YouTube is offering a free 14 day trial of their new “YouTube Red.” I am not impressed. Not impressed at all! My readers know that I would NEVER tell a person not use or abandon a service; because if they like it, who am I to discourage right? Well, this is my first exception to the rule. Guys, I really don’t recommend purchasing the “YouTube Red” service. I’m going to sum it up in one sentence. “You’ll get more value from using Spotify’s free service!” I’m not kidding about this! It is exactly what I have expected. They are pushing to the public an unfinished product. I’ll be honest, my personal opinion, is that Google put this together as quickly as they could just to keep the music labels off their ass. The mobile app is not even intuitive. It took my so long to realize where my playlist were. I can assure you, if you’re a power user of any music app, I’ll doubt you’re going to like YouTube Red. And if you mostly use YouTube’s website, I really don’t see the point to pay $9.99 month to get the same thing with the exception of the removal of ads.
Well at least I know that they have two modes, a video mode and a head phone mode. So you can listen to it without video. I couldn’t figure out how to create playlists from the mobile app. It looks like I had to like the videos I was listening to. So in other words, my likes became my all in one playlist. The only other good thing about the YouTube Red mobile app, is that you can control the storage capacity. However, from the looks of the storage settings, you’re downloading the entire video and not the audio only. This is a problem, as I’ve mentioned in a previous post that unless you have a really good bandwidth and or unlimited mobile 4G, this is an issue! My first impression of this app is that it was not well thought out, or designed for a power user, just like their website. I will not waste my time with YouTube Red. They’re offering way too little for what they’re charging. Users just don’t want unlimited music, we want features as well; and YouTube Red offers almost none. Therefore, use Free Spotify, or if you’re looking for real user power, come on over to Napster for the same $9.99 a month.
Hi guys, I would like to share with you something I just discovered today. I am using VLC version 2.2.1. VLC is open source, and has been around for a while; it can literally play almost every file format you can think of. I normally only use VLC for watching videos. However, today I took the time to skim through some new features, and realized that VLC now has audio streaming. This should give you an idea of just how huge free radio is. Again, I’m not trying to tell you how to listen to your music; however, there is so much your missing by only sticking to one thing. There is so much culture and diversity out here on the internet; and most importantly, the kind of oldies you just don’t hear on regular local stations anymore.
Free radio is here, there is no need to use torrents anymore; and although I still have some concerns about YouTube, even YouTube is slowly but surely working on new licensing and royalty deals as I’m writing this post. I really love the new business model, music is truly indeed becoming almost free (with ads) (be it live or playlist generated stations). Like television, ads will now pay for the music, NOT the fans! Paid options such as Rhapsody, Spotify, iTunes, etc, will still be available for power users. It is unfortunate that physical memorabilia isn’t as popular anymore; but at least you don’t have to spend your entire income trying to purchase CDs of artists you love anymore. Now, I have noticed that only Jamendo & IceCast radio directory works. Not sure if the connection to those feeds are down, or there is a bug. I’ll figure it out later. But let me tell you this, the sound is good and the selections are tremendous.
Hi guys, I need to vent for a quick minute. 🙁 First, let me start off by saying, unfortunately I have never really been a Adam Sandler fan. Sorry to say. If I had a choice between Adam Sandler and Jim Carrey, I’d take Jim in a hot minute. But anyway……… Having said that, the one movie that I found that I actually liked in Sandler’s entire movie career is “Pixels (2015)” in 3D. Now to be honest, the only reason why I’ve gravitated toward this movie, is because of the movie’s vintage game theme. The special effects were really AWESOME! Everything almost looked like glowing Legos! In fact, it was sooo awesome, that his acting was actually tolerable.
What burned me up enough to want to b**c about this movie, is all the crap surrounding the 3D version of the movie. Unfortunately, Netflix doesn’t have it on 3D; VUDU has it, but they’re charging $33 to own with no option to rent. What? Grrrrrr!! I logged in to my Amazon account, and saw a 3D Blu-Ray/DVD/Digital bundle for only $18! WTF? I gave VUDU such an ear full, but in reality, it’s not VUDU’s fault. $33 is the license charge that the movie studio has set, if fans want to see this movie. This makes absolutely no sense that you get a cheaper deal by purchasing the physical disc than the stream? But $33? I’m thinking to myself, there has got to be another reason I’m not seeing for this outrageous price! Either this is a massive error, or I’m thinking this price is set for fans out side the U.S.A. In reality we’re still getting a good deal, but this proves the importance of taking your time and look before you buy. Geeezzzzzzz
Sort of by accident, I found this wonderful documentary called “Downloaded (2013).” This film is almost two hours long. I’d never thought I would sit through a documentary like this; but like I said, it is extremely interesting and educational for me as far as hearing intimate feed back from RIAA and record labels. In essence, it is a very interesting look at the history of Napster, and how it changed the music industry forever. First, I’d like to say very quickly upfront, the film is not a “how to,” nor is this entire film about labeling all file sharers evil. I wanted to share this not because I want to sway people to think a certain way, but to help both music and film lovers be aware of the effects of file sharing, and how it really could have destroyed the industry.
Shawn Fanning was one of the original co-founders of Napster (long before Rhapsody took over). He quit school to pursue his dream of building a company with a fan based application, that would allow other fans to share files and communicate with other fans of the same artists or movie. Back then, because it has never been done before, it wasn’t officially illegal yet, in terms of sharing files. The music industry was slow to understanding the scope as to how many people were actually downloading, exactly how much was downloaded, as well as the ease of downloading with Napster. However, Fanning very much wanted to work a relationship with the music labels in order to get artists paid, this was his intent all along. However, the music industry still had problems with Fanning’s vision, because the music industry as a whole wanted to stick with their old ways and old formulas.
Many artists were divided on this issue. Some artists felt that Napster was doing a good thing; because statistics has shown that a significant amount of people that used Napster, actually purchased the music later on. Some artist saw it as stealing. But again, it boils down to something that was new, and the people that theoretically stand to lose money (in their eyes) was the ones that were most against it. However, the courts understand that you can’t stop technology, in addition to the fact that the music labels gave no room for fair use instances. Many fans saw Napster as no different than borrowing their friend’s record, then taping it on cassette and giving it back to them (which was legal for personal use). However, the sheer massiveness of the Internet changed the game as far as how fans get their entertainment.
I understand both sides. As I’ve said before, there are those who vow never to buy one piece of music ever again; as a form of rebellion against the greed of the music industry. It is interesting that throughout the legal battles, the music industry NEVER discussed the fact that the reason why many download so much, is because they couldn’t afford it. Once technology moved to CD, those prices went off the chain! However, through the years of long legal battles Napster had with the record labels and the RIAA, it’s helped shape the new business model we have today. Because the music labels felt that if they get rid of the “threat,” and the treat meaning Napster, everyone would stop downloading for free. This never happened; in fact, literally thousands of other file sharing software was developed using the same type of Napster infrastructure. But through the aftermath of all that mess, they have found away for fans to listen to music for free, and the labels can still get paid through an ad supported services. But I think the old peer to peer mindset still exist, and I think it will still take a while longer for old habits to break. JMHO.
After watching this documentary, I realized this might be one of the many reasons why the music labels haven’t attacked YouTube as harshly as they did Napster. They are literally scared of having an even worse repeat performance of piracy, and that people could theoretically stop using legal services like Rhapsody, etc, altogether; and really end the music industry as we know it for good. Even though the music industry would never admit it, the fans won; and the days of milking fans dry was over; and that was the bottom line. It was because of Napster, that music (and film) has now become more affordable/accessible to those who support their artists/actors. There are many companies such as Spotify who have a vision of making music free by using an ad based system. So far, despite the apposing view from companies like Apple, this formula does seem to work (they’re not making loads of money, but they work). But you know what? It is my view that it really doesn’t matter, because no matter what any music streaming service does, at a standard price point of 9.99 a month, the music labels are going to take 80% of the revenue anyway. Music streaming is a very hard business to get into. Which is why business like Live365 has folded. This is largely because labels want more and more money; labels just have a hard time understanding that our economy has changed. Especially when it comes to music, music is a part of our culture, fans have a right to afford their favorite music. Watch it on Netflix Downloaded (2013).
“The State Of The Entertainment Industry Today,” kind of sound like a magazine title doesn’t it? I wanted to write a little bit on this topic, because it seems that the more I try to research this very topic, the more I’m sort of confused. The reason being, the opinions are so diverse that it becomes really difficult to discern what is fact and what’s fiction. Some of the opinions are bias, some uninformed, and some writers thoughts are just all over the place. I think part of the problem is, since the age of streaming, both music labels and streaming services are very secretive in terms of their numbers. This is understandably so, since it is both considered intellectual property and a “secret recipe” of sorts. But this makes it really hard to determine how well the music industry is really doing, all we can all do is speculate and have opinions with the information the labels allow us to have.
However, right now, I really think that the question we should be asking is, how does YouTube factor in on the success of the music industry? Those who may not fully understand digital technology as it pertains to the music and film industry, may not realize that in reality YouTube is just another piracy site just like Pirate Bay in a different form (but multiple times its size). What has changed in the music industry in particular, that has made YouTube the exception to the rule?
I think what’s changed is YouTube new “Music Key” service, or now called “YouTube Red.” For the same basic price of $9.99, they are offering commercial/ad-free content, and the ability to download for off-line use. They also have original video content, but the samples I saw sucked (maybe they are still experimenting with the service). I’m really interested as to how this would work out in the future. While the service doesn’t answer my question about the ad-free user uploads, and the illegal monetizing of user uploads, it does show that YouTube is doing all it can to use it’s popularity to do the right thing. However, if I didn’t have Rhapsody, would I actually pay to use YouTube service? No. I would pay for Spotify before I would ever use YouTube as a main music source. Why? For two VERY important reasons. Number one, as I’ve said in previous articles, YouTube is not designed as a traditional streaming service; in fact, creating and saving videos to playlists is not as easy as it should be (it’s almost primitive). It is not designed for the daily music lover in mind. I guess for someone who just wants to listen to music while on the job, or doing a quick travel from A to B, then I guess it’s fine for those kinds of listeners. However, for a power user such as myself, the YouTube service isn’t attractive to people like us.
The second most important reason I would never pay to use YouTube service (especially on my phone), is because the amount of battery power it pulls to stream each video. I can’t believe I haven’t read any blogger talk about this. Using YouTube to stream your music, the way you use regular music, is like trying to use your GPS on your phone all day. It pulls a lot of power! Not to mention the fact that depending on how good your WiFi/4G connection is, can take a while to download multiple videos. I don’t remember if they offer an option to just download the sound only or not; but if they do, that means there is additional conversion time. If I can quickly add a third, its setup doesn’t allow for robust music discovery. I could discover better music by using Shazam’s music selections; hell, even Pandora does a better job of suggesting good music. Again, I don’t want my prior statement to be interpreted as a discouragement, just something to think about. The nice thing is though, YouTube will still have their free service available. Now, If the reports are true, that streaming sales have finally exceeded CD sales; then YouTube’s new “Red” service could put the music industry back on the map. In terms of film, it’s a different animal, however, the film industry recognizes that the public wants more on-demand videos, and we’ll start to see more free services like Crackle with paid commercials.
I decided to take some time to quickly write about the subject of sound quality, in terms of video streaming services. I’m not going to go into anything technical, because there’s so much to audio that it would make your head spin. It truly is hard to keep up, unless you are already working inside the technical areas of film and music. Software engineers are frequently developing new ‘n’ improved sound and video codecs for all devices. There are quite a few popular codecs, some of them are PCM, DTS-MA, DTS-HD & Dolby HDtrue DDPlus, AC3, and all are uncompressed. Now, which ones are the best? Well, some times that all depends on the ear that is listening to them. They’re those people who will say that there is absolutely no difference them; then there are others who’d think that “those” people are crazy and out of there minds. There are those who think that PCM is better, but in my opinion, it is louder not necessarily better. However, many people have always associated a louder sound with better quality, and that’s just not true. Personally, I think it also boils down to the equipment, in addition to how it is setup. The best analogy I can think of is, if you’re still using an old analog television, and you’ve connected a Blu-Ray player to it, you’re not going to see a big difference in quality. But unfortunately, those people will make an unwavering assumption that it doesn’t matter what you use, all sound and video are the same; which is not quite correct. Other times we don’t have much of a choice. Personally I’ve always preferred DTS; in fact, older movies that were originally recorded in DTS were exponentially better. I’m not sure what happened with the newer DTS, all I can tell you, it doesn’t sound as crisp and pristine as it once was. But unfortunately, the vast majority of movies now are produced using either PCM or DD5.1/DD True (although DD5.1 is better than PCM, but neither is as good as DTS). Eventually I realized it doesn’t make any sense bitching about it, because our equipment can only process what’s encoded on the Blu-Ray. Sometimes studios would come out with special edition Blu-Rays that would include different codecs, but that also means you’re usually spending more money because it’s most likely a collector’s item.
There is also one more factor we may not realize. I’ve written quite a lot about fake 3D movies, where a movie studio would print 3D on the package, however, in reality they’re just 3D conversions, because it cost too much to shoot in 3D. Well, the truth of the matter is, sound is kind of like that too. Depending on how the movie was produced, or sometimes even how old the movie is, you may not get improved sound just because your movie is on Blu-Ray. For instance, A Blu-Ray may state that an old movie has DTS 5.1/7.1 sound; but in reality, all they did what copy the same sound to 5-7 channels; giving the illusion that it is actually 5.1/7.1. Yet, they will charge you 40-70% more because it’s on Blu-Ray. Anybody who is real finicky about sound, would know right away that it’s fake.
I don’t think movie fans talk about this much, maybe a lot of us haven’t realized it yet. But sound quality have improved tremendously in the video streaming world. Do you realized that video sound on streaming is now superior to cable? Granted, I’m not familiar with all the major cable companies out there, but, lets look at the company I am for familiar with, CableVision. If you browse through your premium HD movie channels, and even a lot of the “Pay-Per-View” movies, all of them are in HD Stereo sound (actually I shouldn’t say all, but a significant number of them are stereo). Some of the HD channels are still only broadcasting 720p, WTF?? But Netflix movies are both HD and DTS/DD 5.1, and Netflix movies cost in the pennies in comparison to cable movies. Hulu also has Dolby Digital 5.1 movies, but they may be available only on certain devices. I think Amazon is DD5.1 too (on Roku/Amazon Fire/SmartTV). There are even some totally free streaming services that have DD5.1 as well, I think it was TubiTV I saw it. So why can’t cable? [By the way, google movies are regular stereo; I purchased Vampire Hunter, Battleship and Prometheus and they were stereo when I bought them. @ $15, I should have gotten bare minimum DD5.1. Never again] Because of issues like these, I never saw a good reason to buy a 4K TV, when very few things would be able to watch on 4K. By the time 4K becomes standard, your unit would be out of warranty and time for a new one. Although Netflix has 4K streaming available, they are a small selection (not Netflix fault). It’s so important to understand these technologies before you spend your hard earned money. These are just more reasons why cable/premium networks/HBO, etc.) companies will eventually go down by the next 15-20 years (maybe not extinct, but they will crumble significantly). Trust me, as soon as T-mobile’s bandwidth improves (probably around 6-7G), I will have no need for cable.
You know the interesting thing about all of this? Cable companies will tier your internet bandwidth to make more money, but in terms of actually watching movies on through your cable box, it’s full bandwidth, so there’s no reason they should be holding back on any parts of movie quality (especially sound). As a whole, in the era of movie streaming, most very old movies will never be remastered because of cost. But at least we can expect the highest of video and audio quality for all future movies, as digital technology improves, and cost goes down for the independent film maker. As Netflix, Hulu, and Amazon stream continue to grow, I wouldn’t be surprised if later on down the line; HBO, ShowTime, Starz, and all the other greedy networks start offering 1 and 2 year deals to win back customers. Kind of like how movie studios started packaging Blu-Ray/DVD/Digital bundles! Now, why would I want 3 versions of the same movie? Well, I guess I can give two away, maybe that’s it! Involuntarily pay more money for a movie, to give as a gift to someone else. Or they may just decide to come up with their own streaming service, which will cost just as much as cable if not more. Like the music industry, they had to make some serious changes and adjust for this current economy; the movie industry will learn the same. Can’t continue to charge these bloated prices, or the same circulated movies.
You know I was thinking….. I think that in this day and age; where digital technology is here to stay; it’s absolutely hilarious that we are still using the word “albums” to describe non-physical medium. We we’re still using the word “albums” even for CDs. This goes to show you how much of an impact that old school still has on our society as a people (and not even know it). I think that we’ll still be using the word “albums,” long after albums eventually become extinct. Can you imagine a great grandfather trying to explain to his great grandchild what an album was? LOL… I would love to be a fly on the wall for that conversation. I know that would be funny as hell! By then then I truly hope that every single piece of history has been preserved on digital; and easily accessible by all; without “elite membership prices.” You need to help support and fight for the digital archiving of our history; because once it’s gone, it’s gone (even if it exists, it’s lost).
Live365 suffers a collision of misfortunes, lays off most employees and vacates office
Today, I decided to login to my free Live365 listener mobile app, when I kept getting “incorrect login and password” messages. I then decided to go to the live365 website to reset my password, and saw a large message that I interpreted to be very vague. I tried to escape out of the message but could not. It looks like Live365 has shut down January 31, 2016! Why? Upon further research, the Copyright Royalty Board recently released their new rates for webcasters. Unfortunately, the new rates are significantly more than Live365 could afford (what most webcasters could afford). Long story short, Live365 had to make a decision to either raise their already high membership fees to cover the royalty cost, or shut down. It would have cost a web DJ about $40+ a month (lowest package), for a maximum of about 2 hours worth of music uploaded at a time; and a maximum of 10 listeners at a time. According to the following article from “Rain News,” they have chosen to focus more on other business ventures they currently have. I think it’s good to note that streaming services such as Spotify, Pandora, etc, have not been effected much, because they are under a different category; I believe it’s called “non-interactive.” However, I think these new rates for webcasters have inadvertently devastated our ability to listen to a broader selection of music, by real people and real fans. You may not see it now, but at least for us older folks, we can clearly hear the difference between music played on the radio that was hand selected by a human fan; and the kinds of music played that was mathematically selected by a computer. As far as I’m concerned a significant chunk of our music history & culture has been lost as of last month; it is because of sites like Live365 that we were able to hear music we no longer hear; it is because of Live365 that we heard music that other services don’t have a licenses for. Live365 was the only station that I could think of, where you could listen to the rarest of music not played anywhere. Not even 8Tracks have the music that Live365 had. There are some things within the human experience that a computer chip cannot replace.
It is interesting, as much as I used to complain that not enough older folks are using streaming technology, a significant amount of seasoned folks were using and DJing with Live365. Only amateur DJs with a certain level of experience could play the kinds of music we heard there. That’s just a fact, whether you’d acknowledge it or not. This really saddened me. Live365 was an extremely unique service, that allowed real fans to share their personal music they already own, with other fans (especially when it came to classic music). Many of the stations played music you’d never hear from any Genome selected music playlist. I will truly miss them. However, again this speaks to the larger existing problem of the music industry. The music industry is trying to price music streaming in the same way they used to sell albums. If this continues, the only business that will be able to afford these licenses, will be the larger mainstream stations like Z100, etc. I really think that the answer here is YouTube. YouTube needs to be structured more like a traditional streaming music service; but unfortunately, I’m beginning to realize that it appears that the music industry is using YouTube more as a promotional tool, and the smaller webcasters/internet radio are being used to off set royalties. Well, the decision holds till about 5 years; and I don’t think that much change will happen till then.