CLASSICS: DISCO AND DANCE
How do I explain Frankie Smith? Well, I say he is the Black cowboy version of Wolfman Jack (that is if you can remember that far back!) 😀 He was made famous by a song he did called the “Double Dutch Bus,” Released under Unidisc Music. Let me start off by saying, this wasn’t just an ordinary hit song, this song also represented a very serious movement in the 80s. Guys……. In terms of athletic activities that were traditionally for young girls, AND also closely associated with dance such as Cheer leading; Cheer leading has always been known as a very serious and cut throat competition in just about all High Schools. However, before the success of break-dancing, there was another form of athletic activity that emerged in a huge way from the Black poor communities. That was something called Double Dutch.
Double Dutch was serious business in the 80s (actually, we were doing it before the 80s). It wasn’t just something that poor Black girls did in the ghetto to keep themselves out of trouble, and away from boys. Tournaments were created specifically for Double Dutch. Thousands from all over would come to see these girls do their thing with their jump ropes, in the same way they would a football or basketball game. Schools would challenge each other and get the chance to win big trophies and other prizes. Mind you, many of the girls I’ve seen doing Double Dutch were heavyset girls, and they were just as good as the thinner girls. Yet there’s an attitude that people still have, that people from poor communities are not active? Bullshit! These girls did stunts and acrobatic moves you wouldn’t believe!! And of course you don’t, so you’ll have to take my word for it and just Google!! Frankie’s hit song brought attention to the world of Double Dutch competitions. Now both girls and boys are doing Double Dutch, and incorporating hip-hop along with their fancy moves. “Double Dutch Bus” reached #1 on the “Hot Soul Singles Chart,” and #30 on the Hot 100 Chart.”
Ok guys this morning we have to pay a little tribute to the legendary Linda Clifford. This lady was the sh*t back in the day. When Linda took hold of that microphone, she showed the mic who was in control. When she sang, she meant business and she wasn’t fooling around, at all!! Although she’s known to be the reigning disco queen of the seventies, you could hear the soul in her voice, which blended beautifully with her dance music. Her first two big #1 hits came from her “If My Friends Could See Me Know” album, released by Curtom Records in 1978. The first song was called “Runaway Love,” which hit #3 on the R&B Charts, and #1 on the U.S. Dance Charts. Literally, every time I walked outside my door, people were blasting this song out of their car. Almost every single radio station was rotating this song every hour it seemed. I remember every barbecue get-together had this song playing. I loved how Linda told her man off toward the end of the song. The second #1 hit on the U.S. Dance Charts (which I also love) is a remake she did of a 1966 Broadway musical classic “Sweet Charity.” The song is called “If My Friends Could See Me Now.” The original Broadway play version was sung by Gwen Verdon. In 1980, she sang a song for the original movie soundtrack “Fame (1980),” Starring the legendary Irene Cara. The song is called “Red Light,” under the RSO label. This was a badass song right here! This was another song she sang, where you know she meant business. “Red Light” put her once again, on the #1 spot on the Dance Charts. There’s a song I recommend listening to, and it’s called “You Are, You Are,” which is on the late Curtis Mayfield’s album called “The Right Combination,” released in 1979 for Rhino Records. I can’t find any stats on the song, but it’s a badass song, check it out!! On This same album, she also made a slow jam that I really love. It’s a duet with Curtis Mayfield called “Between You Baby And Me.” To my understanding, at age 69, she is still performing and doing her thāng.
France Joli was one of many disco dance queens that ruled the 80s. Hands down, she was one of my favorite singers from that era and genre. Joli was born in Quebec, in 1963. She started her musical career at the age of 6, doing all kinds of commercials, talent shows, and TV appearances. Joli got her big break, when she performed a concert in New York City. To my understanding, in 1979, she was a replacement for Donna Summer that night. She sang a song called “Come To Me,” which was already released that year under Prelude Records. That concert gave her song the exposure it needed. The song became popular enough to hit the billboard music charts, and eventually peaked at #15, and stayed on the charts for about 3-4 weeks. To this day, this song remains to be one of my favorite disco songs from her. I love how it starts off really really slow, and by the time you get to the middle of the record, it’s full on disco! In 1981, Joli would release another favorite of mine called “Gonna Get Over You,” under a company called Unidisc Music Inc. The song reached #2 on the American Billboard Charts, and stayed on the charts for a whopping 17 weeks.
This little Canadian lady had a talent for disco that rivaled others. Joli, now 54 is still performing! In fact, she’s performing in Westbury New York this December. More tour dates for 2018 is TBA. She’s had many many other hits through out her career, and there’s no doubt in my mind that you’ll love her just like I did. Check out her Greatest Hits album. You’re gonna love it.
Back in the 70’s, one of the things that I absolutely loved about Sylvester’s music, was the fact that when we heard it back in the day, no one was thinking about “is that guy gay?” “Get that faggot off my turntable, I don’t want to hear that sh**!” Think for a moment how powerful that is; considering the very fierce anti-gay climate in the 70’s (especially for an artist of color). The only other artist or group that kind of had that same effect in the disco era was “The Village People.” Although not everyone was gay in that group, The Village People had (and still has) the kind of timeless music that no one thinks about their sexuality when it is being plaid. They created the kind of music where our minds immediately shifted to dance mode, no questions asked! I think it’s safe to say that in the disco era, Sylvester was one of the greatest dance artists of his time, and we have truly lost a legend way too early. The Original Hits (1989), just about has all his big hits; including, “Dance (Disco Heat) (I have to do some research, because the background singer sounds exactly like Martha Wash),” “You Make Me Feel Mighty Real,” and a song he dedicated to all his fans called “You Are My Friend.” Patti Labelle has made this song her anthem, and has sang the song at the end of every performance. There is another hit that’s not on this album though, and it’s called “Do You Wanna Funk” on his self titled album “Sylvester.” Please Listen with Spotify.
CeCe Peniston had a lot of great hits throughout her career. However, this is my ultimate favorite album. I’ve been shaking my booty to many of these songs in quite a few clubs back in the day. Her voice matches perfectly with the songs on this album. I’m not sure how old she was when she made this album, but I liked it because it sort of represented a combination of coming out of adolescence and high school. It’s a very fun album, and continues to make me want to dance. I think the 80’s babies will like this album too, or at least make you bop your head at best. My favorites are “Finally,” ” We Got A Love Thang,” and “Keep On Walkin’.” I’ll be honest, there were a couple of slow songs I didn’t like; “Inside That I Cried” was one of them. But overall, it’s an excellent classic to play at your next old school gathering. Listen with Spotify.
Soul II Soul is a group from London, that hit big with their 1989 album “Keep On Movin’.” I most say, this remains to be the most favorite album of mine from Soul II Soul. Their music is very unique (I think). The mood of the album is a mixture of funk, jazz and pop. I’ve checked their website http://soul2soul.co.uk/events/wildlife-festival, and it appears they haven’t performed in the states for ages. That is a shame, I’m sure a lot of Americans would have loved to see them perform again. My favorite songs off this album are “Keep On Movin’,” “Back To Life,” “Fairplay,” and “Jazzie’s Groove.”
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This 80’s dance queen has a nice remix album available. I have really enjoyed this entire album, with the exception of two songs I have not heard before; one song song called “The Best Is Yet To Come,” and the other “Follow Your heart.” They were really slow tempo, and I really was expecting the album to be all dance. The two songs really changed the entire mood of the album. However, I think the album is still worth listening to. Having said that, I really do think that Shannon fans would really like this album. It has two of her biggest hits (also my favorites) “Let The Music Play,” and the hot remix “Give Me Tonight!”
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